Gullit insisted that Liverpool need to improve for the final

first_imgRuud Gullit believes that Liverpool simply can’t allow playing like they did in the semifinals against AS Roma – otherwise, they can receive a harsh lesson by Real Madrid as they are far more experienced.Jürgen Klopp’s men will have to play more focused and be better defensively if they want to win the famous trophy – because Real Madrid will be able to punish every single one of their mistakes.The Dutch legend spoke about Liverpool’s chances as he said, according to Team Talk:“If Liverpool are going to play like they did in Rome, they are not going to win the Champions League.”divock origi, liverpoolReport: Origi cause Klopp injury concerns George Patchias – September 14, 2019 Divock Origi injury in today’s game against Newcastle is a cause for concern for Jurgen Klopp.Perhaps with one eye on Tuesday’s trip to Italy…“It is fantastic to have Liverpool in the final, but everyone must realise that they only scraped through at the end.”“I have read the verdict of some former Liverpool stars and they are euphoric. They are not impressed by Real Madrid. They think Liverpool have a serious chance of winning.”“But the players and coaching staff of Real will have watched Liverpool’s second game against Roma. And I think they will have drawn the strong conclusion that they have more of a chance to win the final than Liverpool.”last_img read more

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Leveraging Audiences Through Vertical Content Channels

first_img“As for what kind of metrics we need to justify launching a new channel, I’m afraid I don’t view it in quite those terms. The question for me is whether the subject is editorially compelling and fits within the overall mission of The Atlantic. Certainly Health qualifies there,” says Cohn. “But it is also the case that we expect each of our channels to attract at least one million unique visitors each month. Health, in its first three weeks, already has exceeded one million unique visitors.”TIME is set to relaunch its Style & Design supplement (which folded roughly 18 months ago) in March of this year. The renewed section, to focus on international travel, cooking, decorating and more, will have a semiannual print version; a Style & Design channel will live on TIME’s website. The supplement and channel will be run by managing editor Rick Stengel. In response, major media outlets are creating easily found channels devoted to topics particularly relevant to their reader base. Here, FOLIO: speaks to The Atlantic, TIME and New York about how these opportunities were identified, and then how they were brought to fruition. Where the Traffic Goes The returning edition of Style & Design has a guaranteed rate base of 500,000, and the average reader will have a minimum household income of $125,000.Style & Design content will be updated daily on TIME.com. Kelleher tells FOLIO:, “This gives the high-end content that is distributed throughout the site a home; in the same way Swampland gives our political coverage a home, or Business gives our business coverage a home. It expands our vertical strategy on the website.” For many publications, finding a home for content can present a conundrum. Discoverability and relevancy are vital, as is shareability. Whether publishers convert to the new model, or choose to only pay lip service to fast-forming conventions, readers are still less than willing to conduct search after search for a topic. Immediate gratification is a necessity, not a luxury, of the digital age. Cross-promotion is integrated into the editorial channels, but audience behavior often depends on the user’s relationship with the publication. “Our most loyal readers typically consume across multiple channels,” says Silberman. “But for newer users, we find people will consume in the vertical they came in.” New York Magazine launched “Early & Often” in December. The idea for the channel, a vertical space focused exclusively on political coverage, began to form in summer 2011. The opportunity was solidified when NYMag.com experienced its largest traffic day on November 21, “…with nearly 800,000 daily unique visitors, thanks to several strong political stories,” according to the company.center_img The team at TIME counts audience, as well as advertiser, opportunity among reasons to give Style & Design another shot.“We wanted to cater to a very specific audience, targeting the global thought leader, the traveler, someone who’s taking on the world,” says TIME worldwide publisher Kim Kelleher. “This gives us an opportunity to work with not only new advertisers in the prestige market, but also a new outlet for our international advertisers that support TIME in our European and Asian editions looking to dip their toe in the brand in the United States.” Cohn maintains that expanded advertising opportunity was “important, but not a driving factor” in the decision to launch the new vertical. Reviving Strategy to Better Serve Audiences (and Advertisers)The Atlantic recently debuted it Health Channel, a vertical site comprised of content previously rolled into its now defunct Life Channel. The Health Channel went live on December 13, with its editorial operations led by Nicholas Jackson (who was previously involved with the Life Channel, and helped start the Technology Channel). It is the seventh vertical content site now living on Theatlantic.com.Bob Cohn, editorial director of Atlantic Digital with Atlantic Media, says the choice to form the Health Channel was more than just a rebranding. “The Life Channel had some great topics under it, but because it was a somewhat vague channel name, there wasn’t a clear sense of how people were going to get there, and it ended up being a catch all,” says Cohn. “Health was one of the focus areas of the Life Channel.”Content living in the Health Channel will also be featured on the main page. Atlantic staff, as well as freelancers, will create content; partnerships, such as the one in place with MedGadget in “The Cutting Edge” promotion module on the Channel, will also provide content.“There’s every expectation that Health content will rotate as often or more often than other topics on the homepage. We’re hoping to drive traffic,” Cohn says. “Like most sites, we get the preponderance from our side doors, but the home page can still drive traffic.” Other influential metrics include the 50 percent traffic increase year-over-year in September 2011 from September 2010. Its News & Features section (which includes political stories, among others) had three million unique visitors. Its October 2011 News & Features traffic also spiked from October 2010, up 29 percent to 2.8 million unique visitors.New York’s online general manager Michael Silberman says, “We start by paying attention to areas where we’re seeing traction, whether it be editorial traction in terms of audience growth and interest, or advertiser traction, in terms of sponsor interest, or a combination of the two. Then we say, ‘There is an opportunity here, what can we do to further exploit it?’”An advertising opportunity also presented itself with the launch of “Early & Often” when The Economist Group broached a potential partnership through its Ideas People Media Channel. The transparent ad network is home to 50 plus sites relevant to The Economist’s, and now New York’s, audiences.“This brings in new advertisers that we aren’t necessarily calling ourselves in our normal ad sells efforts,” says Silberman.Current New York staff (which includes Frank Rich, John Heilemann and Noreen Malone) is supplying content for “Early & Often”. Silberman says social media for the channel is managed by an internal team that handles all of New York’s properties.“Early & Often” finds itself in the company of other NYMag.com verticals like Vulture and Grub Street, and the recently launched Wendy Goodman’s Design Hunting channel. “This is part of an overall strategy that we have identifying vertical content areas where we are starting to see some traction, and deciding what is the best way to take advantage of that; how big is the opportunity in terms of audience and advertising, and how much resource we should put against it,” says Silberman.last_img read more

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STATE REP RACE Dave Robertson To Hold Campaign Reception On October 3

first_imgTEWKSBURY, MA — 19th Middlesex State Representative candidate Dave Robertson (D-Tewksbury) is holding a campaign reception on Wednesday, October 3, from 7:30pm to 11pm, at the Tewksbury Country Club (1800 Main Street, Tewksbury). Like Wilmington Apple on Facebook. Follow Wilmington Apple on Twitter. Follow Wilmington Apple on Instagram. Subscribe to Wilmington Apple’s daily email newsletter HERE. Got a comment, question, photo, press release, or news tip? Email wilmingtonapple@gmail.com.Share this:TwitterFacebookLike this:Like Loading… RelatedALL POLITICS ARE LOCAL: Robertson & Gordon Endorse Ed Markey With Possible Kennedy Showdown LoomingIn “Government”STATE REP RACE: Tewksbury Republican Committee Attack Robertson Over Wilmington Democratic Committee Chair’s StatementIn “Government”STATE REP RACE: Candidates File New Campaign Finance ReportsIn “Government”last_img read more

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White Oak Music Hall And Neighbors Reach Settlement Over Noise Complaint Suit

first_img To embed this piece of audio in your site, please use this code: Listen Share 00:00 /00:00 Xcenter_img Florian MartinWhite Oak Music Hall. Photo Florian Martin | Houston Public Media.White Oak Music Hall and neighbors in the Near Northside reached a settlement over noise complaints.  Neighbors sued the venue in late 2016 for making too much noise.The settlement stipulates that White Oak Music Hall follow certain noise restrictions for their outdoor performances.  The venue is installing real time sound monitoring that neighbors will be able to watch through a webcam.  If the venue breaks the agreement, the hall could be fined up to $15,000. The plaintiffs’ attorney Cris Feldman said the venue also has to comply with other rules, like stricter limitations on how late bands can play outdoors on school nights. “White Oak has to cut off on 9:30. No shows on STAR nights, STAR testing nights,” said Feldman, “That has been an issue in the past.” In a statement, Johnny So, Managing Partner of White Oak Music Hall said he is glad the issue has been resolved. “We think it is the quintessential definition of a compromise, with both groups agreeing on a middle-ground that addresses the plaintiffs’ concerns regarding outdoor event frequency, outdoor event volume, and even such things as school testing schedules.”@WhiteOakMH and Near Northside neighbors have reached a settlement on a noise complaint lawsuit. The settlement establishes a private sound ordinance that includes sound monitoring paid for by White Oak. @HoustonPubMedia pic.twitter.com/N8nCFNXOGo— Elizabeth Trovall (@elizTrovall) April 24, 2018last_img read more

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A blast from the past

first_imgThe plays in the second week of Bharat Rang Mahotsav seem to have been painted in vivid colours. The first few days showed metaphysical themes and legends, where as plays staged mid week gave a history lesson to the audience. On Wednesday, five plays were staged. The play Balkan Women takes us to the time in history when Yugoslavia was undergoing partition. A bloody civil war was taking place between Christians and Muslims in Bosnia. Amina and her daughter Samira are interrogated by Lt. Blako, a Muslim-hater and subordinate of col. Herak who had once been involved with Amina and was Samira’s biological father. Worried about her daughter’s safety, Amina asks Herak for help and he employs Samira as a housekeeper at his residence. Over time the two develop a warm relationship, until one day Samira receives news about the brutal killing of her father and brother, and other atrocities against the Muslim community. To avenge this, she gives poisoned coffee to col Herak. Amina tells a shocked Samira that col Herak is her biological father. A repentant and grieving Samira is looked upon as a daughter by a dying col. Herak. Both mother and daughter are later killed by the new chief of the camp. Also Read – ‘Playing Jojo was emotionally exhausting’Assamese play Nokiyampo was set in the Tirap District of Arunachal Pradesh, where there is a tribe called Nocte. In the recent past the Noctes had a unique marriage tradition in which before marriage young girls had to prove their fertility by giving birth to a child by co-habiting with a male member of their society. After the child was born, as per their rituals, it was killed and the girl was given in marriage to someone chosen by the members of society and the family. This tradition continued among the Noctes until 1962, when for the first time such a child was allowed to be brought up in the society in lieu of fine imposed by the society. Despite this, the unmarried mother and child had to face various socio-religious difficulties because of the customs and rituals of the tribe. This is the situation that Nokiyampo aims to recreate and explore. Also Read – Leslie doing new comedy special with NetflixSet in the backdrop of Ramayana, play titled Indrajit  is a chapter from the battle between Ram and Ravan. On hearing about the death of both Kumbakarnan and Ahthigayan, Ravana vows revenge. Mandodhari, Ravana’s wife enters receives the news of her son’s death. She mourns and asks Ravana not to wage war against Rama, but he doesn’t listen to her. She then tells her son Indrajit to stop his father, and Indrajit tells him that he will go to war field instead of him.  When Rama comes to know that Indrajit is coming to wage war against them he sends Lakshmana to face him. The performance looks at events as they enfold, from Indrajit’s putting of Brahmasthiram on Lakshmana, the episode with the Sanjeevi leaves, Indrajit’s Nikumbala Yagam, and finally his death at the hands of Lakshmana. The play, Thana Theke Aschhi which sees sub-inspector Teenkori Halder come knocking of industrialist Chandra Madhab Sen’s door to enquire about the suicide of a girl, unfolds a day ahead of Modi’s trip to the city to address a business meet. Based on JB Priestley’s famous play, An Inspector Calls, Thana Theke Aschhi has been adapted for both stage and celluloid before. The backdrop of the play is 2013. Set in a family of industrialists, it also shows how Modi’s visit gets the business circles buzzing. With an eye on next year’s parliamentary elections, the businessmen are seen excited about the prospect of meeting Modi –the poster boy of development. What is unveiled through the play is the insecurity of working in the private sector. The girl, who takes her life, was also faced with a similar crisis.Play, Untitled Phrase-02 is about parallel structures and their chaos are being questioned, broken and rebuilt repeatedly at every moment in our understanding and in our way of dealing with them. That is why they have the possibility of unpredictability and remain a source of potential hope of us.On Thursday three plays were staged, Hayavadana, A Kind Of True Story and Dharti Aaba. The  play Hayavadana, concentrates on the theme of ‘incompleteness’ and the superiority of mind over body.The human desire for completeness represented by Padmini ends in a fiasco as the transposition of heads gradually proves that it is the mind that rules.  After the transposition at the Kali temple, complications arise.  Initially, Devadatta, or rather the head of Devadatta, on Kapila’s body combines with it and reverts to his nature, while the other combination is  Kapila’s head and Devadatta’s body. But there is a difference.  Devadatta stops writing poetry while Kapila is haunted by the memories in his body.  Padmini, after the exchange of heads, feels that she has the capacity for complete experience.The play, A Kind of Love Story traces a year in the lives of eight people living in Mumbai. Their story is told from the perspective of the struggling writer, Sameer Sheikh, who is writing a script about these eight characters, including himself. It explores the characters’ interpersonal relationships, as well as their personal and professional struggles on a daily basis. The story is set in a middle class suburban building society that is going through the process of redevelopment.The structure of the play is non-linear with a mix of real and unreal situations. The play deals with the groups’ perception of ‘reality’, as ideas are broken and bared intermittently, until the audience is left questioning and revisiting truths usually considered absolute.The music is a mix of Western and Indian; there is live singing on stage and actors speak in both Hindi and English.‘I will return…soon I will return from my forests, on my mountains…I will return again amidst my Munda people…we have primeval blood. This is the blood of black people. It has been made by the coming together of hunger, accusation, insult, pain, ands sorrow. It from this blood that the fire of ulgulaan burns. This fire will never stop burning…never. I will return soon.’ This dialogue by BirsaMunda is the crux of DhartiAaba, which is based on the life and works of BirsaMunda, the leader and hero of the Munda tribal community.Birsa’s life was full of struggle. He first left school in protest against the derogatory treatment meted out to Munda students by the missionaries. Constantly troubled by the problems of those living in the forests, he eventually succeeded in taking his fellow community members towards a better socio-religious situation. Gradually he was able to instill the hunger and confidence to resist the feelings of slavery that the Mundas had internalized within themselves. Under his leadership the already existent rebellion of the Sardar Mundas was transformed into a struggle against foreign rule.last_img read more

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